Jason Salavon

http://www.salavon.com/

https://www.markmoorefineart.com/artists/jason-salavon

Art

The Top Grossing Film of All Time, 1 x 1 2000 Digital C-print mounted to Plexiglas. 47” x 72”. Ed. 5 + 2 APs. The worldwide top grossing film of all time (until 2010), Titanic, was digitized from video in its entirety and broken up into its constituent frames. Each of these was then averaged to a single color best representative of that frame and reformatted as a photograph mirroring the narrative sequence of the film. Reading from left-to-right and top-to-bottom, the narrative’s visual rhythm is laid out in pure color.

![Jason Salavon | Wheel](https://lh3.googleusercontent.com/proxy/d0nSF-sOvfkgw1uWF0gH8qu6H2O1DUSpzXfjgLlENGuPcVYRSorgJ3QNm_Lp-KQ0S6EASCZHf4GpMjbsiR9Vr3lBAFJU22j6TMKVmjK4uCTEsXTm5D8_pmD_7iJgaZ7QmPWUrXMebYXlu7LrBtrC-mU) ![](https://paper-attachments.dropbox.com/s_572EEED2DABDCBEC06AF45B368F505535BFCB3C2B2E1119F3221E101120E1842_1593097935795_file.jpeg)

100 Special Moments (Newlyweds), 2004

117 Homes for Sale, Chicagoland, 1999

Jason Salavon, Narrative Frame (Illuminated Manuscripts 4), 2019 archival pigment print, ed. 5, 17-1/2 x 13-1/2 inches

http://www.salavon.com/work/EAO/

Everything, All at Once 2001

Averaging music - The Song of the Century http://www.salavon.com/work/SongCentury/

Averaging IKEA catalogs: http://www.salavon.com/work/374Farben/

374 Farben 2007

“Still Life at the Speed of Sunrise” http://www.salavon.com/work/StillLife/media/14/ Almost the inverse of image averaging –– taking what is typically a single image (a “still” life) and introducing a temporal dimension (creating multiple images)